ESPECIAL TIME was a long-running invitation talk feature in GRAPH, where one sienne is given the opportunity to invite someone else.
Tsukishiro Kanato’s feature, where she invited Yuzuka Rei, was published in the December 2018 issue.
Some of the outtake photos from the back of the magazine are also included.
Continue readingRen Tsukasa’s column on the members of the 97th class was published in GRAPH through 2018. Her interview with Towaki Sea was published in the December issue.
Ren’s columns includes recipes! I haven’t tested them yet so I can’t guarantee results, but I’ve tried to make sure they are understandable.
Continue readingThis feature was originally published in the July 2016 issue of GRAPH.
Unlike many of Ashizawa’s columns, the format of this one is more conversational rather than being a question-and-answer style.
Continue readingRhythm was a Q&A feature for young otokoyaku stars published through 2016, with fun questions about the performers’ on and offstage lives as well as some drawings. The specific questions and number of questions vary between features.
Akatsuki’s was published in the November issue.
Continue readingThis article about Yasuda Zenkichi (estimated reading), the artist published as Ashizawa Jin in GRAPH, was published by Yukan Daily, a news site for his home town of Nobeoka, on January 16, 2014. The original article can be found here (archive link here).
Continue readingRelaxing Breeze (Fuwari) was a musumeyaku feature published in GRAPH, where an interview would take place at a cafe. It was focused on offstage topics such as how they destress or what they do on days off.
Hinami’s was published in the July 2016 issue.
Continue readingRhythm was a Q&A feature for young otokoyaku stars published through 2016, with fun questions about the performers’ on and offstage lives as well as some drawings. The specific questions and number of questions vary between features.
Minami’s was published in the November issue.
Continue readingThis GRAPH feature from 2016 had stars watching video recordings of productions they appeared in and giving their thoughts on the show, as well as talking about some personal effects they were using backstage. Nozomi’s was published in the February issue.
Please note that scene titles are reproduced with permission from this translation of the script.
Continue readingAshizawa Jin is an illustrator/columnist who seems to have worked for GRAPH since the 1960s (yes, you read that right). His interview column generally gets a new title every year but has been fairly consistent format-wise in recent years. I’m giving him his own tag in the Staff category since he is one of the few interview conductors to be credited by name in the publications.
This interview with Ayakaze Sakina was published in the August 2017 issue of GRAPH.
Continue readingdays was a photo feature in GRAPH where performers created a journal or blog-style timeline of photos with captions. Sakuragi’s covers the end of 2016, featuring her performances of L’Aigle Aux Deux Tetes in Yokohama, the Takarazuka Special, and rehearsals for Chateau de la Reine/Viva! Festa!.
(Please note that there are brief references to weight/body image in this feature.)
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