days was a photo feature in GRAPH where performers created a journal or blog-style timeline of photos with captions. Sakuragi’s covers the end of 2016, featuring her performances of L’Aigle Aux Deux Tetes in Yokohama, the Takarazuka Special, and rehearsals for Chateau de la Reine/Viva! Festa!.
(Please note that there are brief references to weight/body image in this feature.)
Continue readingThis talk, recorded towards the end of the Takarazuka run of Snow Troupe’s 2011 Romeo et Juliette production, features Otozuki Kei, Sagiri Seina, and Misuzu Aki. It was published in the March 2011 issue of GRAPH.
(Note that while this production is known for the March 11 earthquake occurring in the middle of it, it is not referenced in this talk as it was recorded around a month before and published likely a few days before or after.)
Continue readingThis book is a memoir of Aran Kei’s time as a member of Takarazuka, as well as her post-Takarazuka career and memories of her childhood. It was published in 2010 to commemorate the 20th year of her stage career. It also features messages from Takarazuka classmates and other colleagues and theatre artists she has worked with.
Some paragraph breaks have been added for ease of reading in English. I have also collected many archival images from various sources to illustrate the book.
Continue readingThis book is a memoir of Aran Kei’s time as a member of Takarazuka, as well as her post-Takarazuka career and memories of her childhood. It was published in 2010 to commemorate the 20th year of her stage career. It also features messages from Takarazuka classmates and other colleagues and theatre artists she has worked with.
Some paragraph breaks have been added for ease of reading in English. I have also collected many archival images from various sources to illustrate the book.
Continue readingThis book is a memoir of Aran Kei’s time as a member of Takarazuka, as well as her post-Takarazuka career and memories of her childhood. It was published in 2010 to commemorate the 20th year of her stage career. It also features messages from Takarazuka classmates and other colleagues and theatre artists she has worked with.
Some paragraph breaks have been added for ease of reading in English. I have also collected many archival images from various sources to illustrate the book.
Continue readingdays was a photo feature in GRAPH where performers created a journal or blog-style timeline of photos with captions. Aizuki’s, recorded while she was still a Cosmos Troupe member features the end of Chateau de la Reine through the start of rehearsals for A Motion.
Continue readingThis book is a memoir of Aran Kei’s time as a member of Takarazuka, as well as her post-Takarazuka career and memories of her childhood. It was published in 2010 to commemorate the 20th year of her stage career. It also features messages from Takarazuka classmates and other colleagues and theatre artists she has worked with.
Some paragraph breaks have been added for ease of reading in English. I have also collected many archival images from various sources to illustrate the book.
Continue readingThis book is a memoir of Aran Kei’s time as a member of Takarazuka, as well as her post-Takarazuka career and memories of her childhood. It was published in 2010 to commemorate the 20th year of her stage career. It also features messages from Takarazuka classmates and other colleagues and theatre artists she has worked with.
Some paragraph breaks have been added for ease of reading in English. I have also collected many archival images from various sources to illustrate the book.
Continue readingAshizawa Jin is an illustrator/columnist who seems to have worked for GRAPH since the 1960s (yes, you read that right). His interview column generally gets a new title every year but has been fairly consistent format-wise in recent years. I’m giving him his own tag in the Staff category since he is one of the few interview conductors to be credited by name in the publications.
This interview with Serika Toa was published in the May 2017 issue of GRAPH (while she was still a Flower Troupe member) and seems to have been recorded during or around the production of MY HERO.
Continue readingThis book is a memoir of Aran Kei’s time as a member of Takarazuka, as well as her post-Takarazuka career and memories of her childhood. It was published in 2010 to commemorate the 20th year of her stage career. It also features messages from Takarazuka classmates and other colleagues and theatre artists she has worked with.
Some paragraph breaks have been added for ease of reading in English. I have also collected many archival images from various sources to illustrate the book.
Continue reading