This talk between Asami Hikaru and her classmate Aran Kei was published in Asami’s final GRAPH issue, published in December 2006.
Some outtake photos from the back of the magazine are included.
Continue readingIn this Kageki feature, the follow-up to a feature published in 2002, a group of younger otokoyaku pick topics from a list and write a short reflection or anecdote.
Continue readingThis book is a memoir of Aran Kei’s time as a member of Takarazuka, as well as her post-Takarazuka career and memories of her childhood. It was published in 2010 to commemorate the 20th year of her stage career. It also features messages from Takarazuka classmates and other colleagues and theatre artists she has worked with.
Some paragraph breaks have been added for ease of reading in English. I have also collected many archival images from various sources to illustrate the book.
Continue readingThis book is a memoir of Aran Kei’s time as a member of Takarazuka, as well as her post-Takarazuka career and memories of her childhood. It was published in 2010 to commemorate the 20th year of her stage career. It also features messages from Takarazuka classmates and other colleagues and theatre artists she has worked with.
Some paragraph breaks have been added for ease of reading in English. I have also collected many archival images from various sources to illustrate the book.
Continue readingAshizawa Jin is an illustrator/columnist who seems to have worked for GRAPH since the 1960s (yes, you read that right). His interview column gets a new title every year but usually the format is fairly similar. The 2007 column was called Flowers Blooming, Dreams Blooming, and this interview with Aran Kei was published in the December issue.
Continue readingThis book is a memoir of Aran Kei’s time as a member of Takarazuka, as well as her post-Takarazuka career and memories of her childhood. It was published in 2010 to commemorate the 20th year of her stage career. It also features messages from Takarazuka classmates and other colleagues and theatre artists she has worked with.
Some paragraph breaks have been added for ease of reading in English. I have also collected many archival images from various sources to illustrate the book.
Continue readingThis book is a memoir of Aran Kei’s time as a member of Takarazuka, as well as her post-Takarazuka career and memories of her childhood. It was published in 2010 to commemorate the 20th year of her stage career. It also features messages from Takarazuka classmates and other colleagues and theatre artists she has worked with.
Some paragraph breaks have been added for ease of reading in English. I have also collected many archival images from various sources to illustrate the book.
Continue readingThis book is a memoir of Aran Kei’s time as a member of Takarazuka, as well as her post-Takarazuka career and memories of her childhood. It was published in 2010 to commemorate the 20th year of her stage career. It also features messages from Takarazuka classmates and other colleagues and theatre artists she has worked with.
Some paragraph breaks have been added for ease of reading in English. I have also collected many archival images from various sources to illustrate the book.
Continue readingThis book is a memoir of Aran Kei’s time as a member of Takarazuka, as well as her post-Takarazuka career and memories of her childhood. It was published in 2010 to commemorate the 20th year of her stage career. It also features messages from Takarazuka classmates and other colleagues and theatre artists she has worked with.
Some paragraph breaks have been added for ease of reading in English. I have also collected many archival images from various sources to illustrate the book.
Continue readingThis book is a memoir of Aran Kei’s time as a member of Takarazuka, as well as her post-Takarazuka career and memories of her childhood. It was published in 2010 to commemorate the 20th year of her stage career. It also features messages from Takarazuka classmates and other colleagues and theatre artists she has worked with.
Some paragraph breaks have been added to make it more readable in English. I have also collected archival images from many sources.
Continue reading