In this feature, performers recommend shows to fit a particular mood. The October 2022 column featured Serika Toa, Kizuki Yuuma, Suwa Saki, and Oto Kurisu.
PLEASE NOTE: Due to the nature of the feature it can contain major spoilers.
Continue reading
In this feature, performers recommend shows to fit a particular mood. The October 2022 column featured Serika Toa, Kizuki Yuuma, Suwa Saki, and Oto Kurisu.
PLEASE NOTE: Due to the nature of the feature it can contain major spoilers.
Continue readingTroupe Report is a Kageki feature where an appointed reporter will write about current events in the troupe or ask troupe members for questions to answers sent in by readers. Reporters rotate more slowly and in many troupes are only replaced on retirement or transfer, unlike other backstage features that rotate monthly or quarterly. (Moon Troupe sometimes rotates faster.)
Moon Troupe’s Troupe Report was written by Shimon Yuriya in 2015. The May edition focuses on the rehearsals for 1789: Les Amants de la Bastille.
Continue readingThere’s a section in Kageki called ‘Words and Pictures’ where one sienne from each troupe is chosen quarterly to write about behind-the-scenes episodes from their troupe. (It’s slightly similar to Troupe Report, but longer and with a fixed turnover.)
Shirayuki Sachika was the writer for Moon Troupe in the second quarter of 2015. In this issue she writes about the rehearsals for 1789 (with a surprise cameo from Hokushou Kairi).
Continue readingSeo Yuria’s 95th classmate interview series was published in GRAPH through 2016. Her talk with Kizuuki Yuuma was published in the July issue.
(I swear the number of exclamation marks used is directly reproduced from Seocchi’s text)
Continue reading